The Jazz Chameleon:

The Refereed Proceedings of the 9th Nordic Jazz Conference August 19–20, 2010, Helsinki, Finland

Edited by

Janne Mäkelä (The Finnish Jazz & Pop Archive)

IIPC Publication Series 4 (Helsinki: The Finnish Jazz & Pop Archive & Turku: International Institute for Popular Culture, 2011).

Also available in print from both publishers.

http://www.jazzpoparkisto.net/en/publications.php
http://iipc.utu.fi/

ISSN 1797-318X

ISBN ISBN 978-952-67401-4-0 (sid.)
ISBN 978-952-67401-5-7 (PDF)

This collection has been peer-reviewed

Contents

Janne Mäkelä: The Jazz Chameleon Foreword

Bruce Johnson: Jazz and Nation in Australia: Bridging the Gap on the Screen, 1919–1933

Heli Reimann: The Ideological Context for the Study of Soviet Estonian Jazz

Claire Levy: Parody Rhetoric, Intertextuality and the Groovy Aesthetics in Bulgarian Jazz

Christa Bruckner-Haring: Gonzalo Rubalcaba’s Blend of Cuban Music and Jazz: Two Current Examples of Hybridization

Katherine Williams: “Is the Duke Deserting Jazz?”: Classicisation through Improvisation in Diminuendo and Crescendo in Blue

Deborah Mawer: French Music Reconfigured in the Modal Jazz of Bill Evans

John V. Ward: Discography, Preservation, and Cultural Crossings: The Role of the World Wide Web in the Underground Dissemination of Nordic Jazz Recordings

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Please mention the bibliographic information when referring to this book: The Jazz Chameleon. The Refereed Proceedings of the 9th Nordic Jazz Conference August 19–20, 2010, Helsinki, Finland. Edited by Janne Mäkelä (The Finnish Jazz & Pop Archive). Helsinki: The Finnish Jazz & Pop Archive & Turku: International Institute for Popular Culture, 2011. (Available as an e-Book at http://iipc.utu.fi/publications.html).