Sounds of the Overground:

Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life

Edited by

Nedim Hassan and Holly Tessler

IIPC Publication Series 2 (Turku: International Institute for Popular Culture, 2010)

http://iipc.utu.fi/

ISSN 1797-318X

ISBN 978-951-29-4233-6

This collection has been peer-reviewed

Contents

Introduction

List of Contributors & Acknowledgements

Nedim Hassan: Singing to your Self? Momentary Musical Performing and the Articulation of Identity

Barbara Anna Panuzzo: ‘The Jump Off’: Getting A Taste Of The Real Street Flavour? A Critical Analysis of an Underground Hip-Hop Club and its Logic of Mainstream Authenticity

Kimi Kärki: Pop Art to PopMart: Gendered Stadium Stardom Aesthetics and Stage Designer Mark Fisher’s Creative Work Process

Holly Tessler: Incredible string bands: The Philadelphia Mummers’ Parade and the politics of local identity

Hazel Marsh: ‘The Sowing of a Singer’: Alí Primera and New Song in Contemporary Venezuela

Emilia Barna: ‘There are places I’ll remember …’: A Sense of Past and Locality in the Songs of the Beatles and the Kinks

Jonas Andersson: The metamorphosis of music-listening and the (alleged) obliteration of the aura

Eleni Ikoniadou: Hypersonic sensation: the non-human in human perception

---

Please mention the bibliographic information when referring to this book:
Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life. Edited by Nedim Hassan and Holly Tessler. Turku: International Institute for Popular Culture, 2010. (Available as an e-Book at http://iipc.utu.fi/publications.html).