IIPC Publication Series
ISSN 1797-318X (online)
IIPC Publication Series is a refereed online
series for monographs, edited collections and conference proceedings. The
series is open for all scholars of popular culture. Proposals can be sent
to the editor Kimi Kärki, kierka(at)utu.fi.
Vol 1.
History of Stardom Reconsidered: The refereed proceedings of the
inaugural
conference of IIPC, University of Turku, 9-11 November 2006.
Edited by Kari Kallioniemi, Kimi Kärki, Janne Mäkelä & Hannu Salmi. Turku:
International Institute for Popular Culture, 2007.
Vol 2.
Sounds of the Overground. Edited by Nedim Hassan and Holly
Tessler (University of Liverpool). Turku:
International Institute for Popular Culture, 2010.
Vol 3. Imaginary Japan:
Japanese Fantasy in Contemporary Popular Culture.
Edited by Eija Niskanen (University of Helsinki). Turku:
International Institute
for Popular Culture, 2010.
Vol. 4. The Jazz Chameleon. The Refereed Proceedings of the 9th Nordic Jazz Conference August 19–20, 2010, Helsinki, Finland.
Edited by Janne Mäkelä (The Finnish Jazz & Pop Archive). Helsinki: The Finnish Jazz & Pop Archive/Turku: International Institute for Popular Culture, 2011.
[Available also in print form.
Further information, see Finnish Jazz & Pop Archive]
Studies on Popular Culture
Publication series with Intellect Books
In April 2009, IIPC made a contract with Intellect Books on a series
Studies on Popular Culture. The new series provides contributions
to a
critical
understanding of popular culture and its history. The series covers a wide
array of themes, including such fields as popular music, radio, film, and
television, festivals and urban cultures, youth cultures and subcultures,
consumption and material culture, sports, stardom and fandom. The series
is open to methodologies and theoretical insights, especially on
comparative and international approaches, and it places special emphasis
on the transdisciplinary nature of popular culture studies. The series is
edited at the International Institute for Popular Culture
by Bruce Johnson and Hannu Salmi.
Selected Publications by IIPC Members
Johnson, Bruce (ed and contributor) 2010. Earogenous Zones: Sound,
Sexuality
and
Cinema. London: Equinox, forthcoming in 2010.
Johnson, Bruce & Cloonan, Martin 2008: Dark Side of the Tune: Popular
Music
and
Violence. Aldershot: Ashgate, 237 p.
Johnson, Bruce 2009: 'Music, Sound, Violence',for the Proceedings of The
13th Conference of the
International Association for the Study of Popular Music, Rome, July 2005
, pp. 245-257 (online
athttp://www.biglittleg.com/IASPM05/IASPM05LIGHT.pdf)
Johnson, Bruce 2009: 'On the Margins: Problems in jazz archiving outside
the US', for Conference Report, 8th Nordic Jazz Conference, national and
local jazz history writing in the Nordic countries, 25 - 27 August 2009,
Aalborg University, Denmark, Center for Danish Jazzhistorie,
Aalborg: 32-41.
Johnson, Bruce 2009: Jazz and Nation in Australian Cinema: From Silents
to Sound. NFSA Journal 2009, 5(1): 1-12.
Johnson, Bruce 2007: 'Voice, Power and Modernity', in Joy Damousi and
Desley
Deacon (eds), Talking and Listening in the Age of Modernity.
Canberra: ANU
E Press: 114-122.
Johnson, Bruce 2008: Australian Jazz: an overview. In Sounds of then,
Sounds of Now: Popular
Music in
Australia. Eds Tony Mitchell and Shane Homan (Sydney: UNSW
Press, 2008): 113-129
Johnson, Bruce 2008: "Quick and Dirty": Sonic Mediations and Affect. In
Carolyn Birdsall and Anthony Enns, eds., Sonic Mediations: Body, Sound,
Technology (Cambridge: Cambridge Scholars Press 2008), pp. 43-60.
Kallioniemi, Kari & Kärki, Kimi 2009: ”The Kalevala, Popular Music and
National Culture.”Journal of Finnish Studies Vol. 13,
no. 2, Dec. 2009.
Kallioniemi, K. 2010: "Take Me Back to Dear Old Blighty": The Smiths and
Notions of Englishness in the Post-War Debate on British Pop Music". In
Why Pamper Life's Complexities? Essays on The Smiths. Sean Campbell
&
Colin Coulter (Editors). Manchester University Press, Manchester 2010.
Kallioniemi, K. 2010: Peter Gabriel and The Question of Being Eccentric.
In Peter Gabriel, From Genesis to Growing Up. Michael Drewett, Sarah
Hill &
Kimi Kärki (Editors). Ashgate, Aldershot 2010.
Kärjä, A.-V. 2007: A Vision of a Sound Nation. Finnish Music Videos and
Secured Otherness. In Beebe, R. & Middleton, J. (eds.): Medium Cool.
Music
Videos from Soundies to Cellphones. Durham, NC: Duke University Press,
pp.
174-199.
Kärjä, A.-V. 2008: Marketing music through computer games: the case of
Poets of the Fall and Max Payne 2. In: Collins, K. (ed.): From Pac-Man
to
pop music: interactive audio in games and new media. Aldershot &
Burlington: Ashgate, pp. 27-44.
Kärki, K. 2005: 'Matter of Fact It's All Dark': Audiovisual Stadium Rock
Aesthetics in Pink Floyd's The Dark Side of the Moon Tour 1973. Reising,
Russell (ed.): Speak to Me: The Legacy of Pink Floyd's Dark Side of the
Moon. Ashgate, Aldershot 2005.
Kärki, K. 2010: "Turning the Axis: The Stage Performance Design
Collaboration Between Peter Gabriel and Robert Lepage". In Peter
Gabriel
From Genesis to Growing Up. Michael Drewett, Sarah Hill & Kimi Kärki
(Editors). Ashgate, Aldershot 2010.
Laine, Kimmo & Salmi, Hannu 2009: From Sampo to The Age of Iron: Cinematic
Interpretations of the Kalevala. Journal of Finnish Studies,
Vol. 13,
no. 2, Dec. 2009
Mäkelä, J. 2004: John Lennon Imagined: Cultural History of a Rock
Star.
Music/Meanings, Vol. 4. Peter Lang, New York 2004.
Mäkelä, J. 2009: Alternations: The case of international success in
Finnish popular music. European Journal of Cultural Studies
Vol. 12 (3), 2009: 367-382.
Paasonen, Susanna 2011: Carnal Resonance: Affect and Online Pornography. The MIT Press, Cambridge MA 2011. (312 pp.)
Paasonen, Susanna & Pajala, Mari 2010: ”Trashing the Prime Minister’s
Bride:
Public Dismay and Intertextual Media”. Critical Studies in Media
Communication 27:2.
Pajala, Mari 2007: “Finland, Zero Points. Nationality, Failure and Shame
in
the Finnish Media”. In Ivan Raykoff & Robert Tobin (eds.), A Song for
Europe. Popular Music and Politics in the Eurovision Song Contest.
Aldershot: Ashgate, 71–82.
Parikka, J. 2007: Digital Contagions. A Media Archaeology of Computer
Viruses. Digital Formations, Vol. 44. Peter Lang, New York 2007.
Parikka, J. & Suominen, J. 2006: Victorian Snakes? Towards A Cultural
History of Mobile Games and the Experience of Movement. Game
Studies
1/2006.
Richardson, John 2011: An Eye for Music: Popular Music and the Audiovisual Surreal. Oxford University Press, New York 2011. (336 pp.)
Salmi, H. 2008: Nineteenth-Century Europe: A Cultural History.
Polity
Press, Cambridge. 192 p.
Salmi, H. 2011 (ed.): Historical Comedy on Screen: Subverting History with Humour. Intellect, Bristol & Chicago 2011. (208 pp.)
Salmi, H. 2004: Success and the Self-Made Man. In Columbia Companion to
American History on Film. Edited by Peter C. Rollins. Columbia
University
Press, New York 2004: 596-602.
Salmi, H. 2005: ”Sylvi In The Cinema of Scandinavia. Edited by
Tytti
Soila. Preface by Jacob Neiiendam. London & New York: Wallflower Press
2005: 25-33.
Salmi, H. 2009: Finnish Culture and Internationalisation Strategies. In
Challenges for Finland and Democracy. Parliament of Finland
Centennial
12. Helsinki:Edita 2009: 340-357.
Sihvonen, J. 2005: The Unknown Soldier. In The Cinema
of Scandinavia.
Edited by Tytti Soila. Preface by Jacob Neiiendam. London & New York:
Wallflower Press: 139-149.
Suominen, J.; Paju, P. & Törn, A. 2005: The Wegematic 1000 Computing
Centre, 1959-1964. Translocal Co-operation. In: Bubenko Jr., J.;
Impagliazzo, J. & Solvberg, A. (eds.): History of Nordic Computing.
IFIP
WG9.7 First Working Conference on the History of Nordic Computing (HiNC1),
June 16-18, 2003, Trondheim, Norway, pp. 463-485. Springer: New York.
