Turns and Revolutions in Popular Music.
Proceedings from the XX Biennial Conference of IASPM,
Canberra, Australia, 24th – 28th June 2019.
Edited by Kimi Kärki
ISSN 1797-318X (online)
ISBN
978-951-29-8524-1
This publication has not been peer-reviewed, and as such, it is a
traditional direct proceedings book that more or less aims to follow the logic
of the original conference presentations.
Table of Contents
Kimi Kärki
Hear the Sound
of Rawness: On IASPM, Canberra, and Proceedings
***
Anne Barjolin-Smith
Glocalization of Surf Music:
The Floridian Strand
Matt Brennan
Three Short
Films
Isabel Campelo
Reflections Upon the “Genderdization” of Popular Music Professions – the
Portuguese Case
Martin Cloonan
Working for Music?
André Doehring,
Kai Ginkel & Eva Krisper
Remixes. Remix. Popular Music Research. Potentials for Methodological
Redesign
Mario Dunkel, Melanie
Schiller & Anna Schwenck
Researching Popular Music and the Rise of Populism in
Europe
Nathan Fleshner
Kanye West and the
Uncanny: Eerie and Familiar Associations in “Fade” and “Famous”
Magdalena Fuernkranz
Rewriting
Austrian Jazz Histor(iograph)y. A Critical Approach
Paula Guerra
From Punk to Funk:
Some theoretical and analytical reconsiderations
Paula Guerra & Carles Feixa-Pampols
The Songs of Crisis: Words that draw identities in protest songs at Global
South
Chihiro Homma
Singing an
Original Song with a National Anthem: God
save the king des Français by P.-A.-A. de Piis
Adil Johan
Intimacies Of Sudirman: A Voice for Malaysian
Inclusivity and Diversity
Henry Johnson
Chinese Tom-toms and Jazz: The Cultural Assemblage of the Early Drum Kit
Daniel Lee, William Baker & Nick Haywood
Guitar Tuition in Australian Tertiary Institutions: Impact of
Contemporary Music Pedagogies
Crisancti L. Macazo
Philippine Cinema Soundtrack: A Trialectic
Mediation of Sound and Image Historiophoty
John Mullen
Slogans, Prayers and Mantras: Popular Song as Role
Play, and the Experience of Singing Along
Hiroshi Ogava
Body/Emotion
Management through Music and Emotional Labor: Towards
Theory of Groove and Society
Fiorenzo Palermo
Three Case
Studies in the Epistemology of the Gay Male Closet in Popular Music
Shams Bin Quader
Digital DIY in
the Central Sydney Independent Music Scene
Martin Ringsmut
”Our Way”:
Musical commemorations of the persecution of German Sinti during WWII
Julie Rickwood
Mapping Popular Music Exhibitions in Australia
Aline Scott-Maxwell
Pop As Art, Pop As Exotica:
Cross-border Flows of Indonesian Alternative Popular Music Acts Into Australian
Contemporary ‘Art’/Performance Contexts
Saesha Senger
Nostalgia, Appropriation,
and the New Right in Early 1990s Pop
Martha Tupinambá de Ulhôa
The Waltz and Women’s Education in
the Folhetim Section of the Diário do Rio de Janeiro
John Whiteoak
Why “The Tango-Rag”? An Interrupted Revolution in Early Australian
Popular Music and Dance
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Please mention the bibliographic information when
referring to this book:
Turns and Revolutions in Popular Music.
Proceedings from the XX Biennial Conference of IASPM, Canberra, Australia, 24th-28th
June 2019. Edited by Kimi Kärki. Turku: International Institute for Popular
Culture, 2021. (Available as an e-Book at http://iipcblog.wordpress.com/publications/).